
This is the farthest view point in
the
Indian Watchtower at Desert View (1932). The Indian Watchtower at
Desert View (1932), the last of this series of Colter
buildings, stands at the eastern end of the south rim of the grand
Canyon. From a distance the building's silhouette looks like the Anasazi watchtower it was meant to mimic. In plan the
structure is composed of one enormous circle at the north, a small circle at
the south, and gently arched forms connecting the two. As Virginia L. Grattan wrote in Mary Colter
Builder Upon the Red Earth, "The Indian watchtower at Desert View was
not a copy, but what Colter called a
're-creation' of an Indian watchtower." Standing at 70 feet, with a
30-foot base, the tower was unique in having a concrete foundation and a steel
framework well hidden in the stones of the tower. The ground level of the tower
was a large, round observation room with a spectacular view of the
The eastern most "designated viewpoint" on the
The Watchtower is 67 foot feet high and 30 feet in diameter at the base.
It was designed and built in 1933 by Mary Colter, architect
of many of
The interior of the tower is quite noteworthy, and from the beginning featured designs by Hopi artist Fred Kobotie, who later became an internationally known artist.
The Desert View area provides excellent views of the surrounding
countryside. This view looks away from the canyon to the east, toward the Painted
Desert. The flat-topped butte in the background on the right is
In the Desert View area the river swings from flowing south to a westerly
direction. The view below looks north along the edge of
On clear days, such as these, it's possible to see a very long way from
the rim of the canyon, but the canyon often suffers from haze which restricts
visibility. Two major sources for air pollution are the Navajo Generating
Station in Page,
Looking west along the canyon provides a view of Escalante Butte and
other formations. The canyon ranges in depth from about 3500 to 6000 feet. This
does not make it the deepest canyon in the